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CCD Sunday Fiction – Noir Edition by DanO

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Knapsack
by DanO

“Promises don’t keep people,” she said. Blond hair never staying behind her ear waved before her eyes like upside down wipers. She wrinkled the skin between her eyes as if she didn’t understand her own words.

I watched her for deception as she searched the ceiling for a response. It had no more to say than I did. Sitting in a chair with blue eyes scanning walls she couldn’t know, she turned to look my way. I focused on her to let her know I was interested only in answers for me, not for her.

knapsack
knapsack

They picked her up where her life ended. At least she maintained as much in her initial statement. She sat on the bottom step in front of a brownstone when the uniforms arrested her. She could have made a stand on the porch behind her, up toward the heavy wood entrance. Surrounded on each side by concrete rails and backed by the front door she could have held off several officers for some time.

The thirty-eight would have slowed the approach of any number of cops not wanting to test their vests. Especially when the victim lay two feet away, splayed in front of her with a single hole in his head. The revolver lay beside his feet. A head shot would make a vest meaningless. Aside from that, what cop wants to shoot a twenty-year-old woman who may be a victim as much as a perp?

Her victim lay on his knapsack with his eyes open looking at parked cars he couldn’t see. She and the young man stayed together off and on in the center flat of three according to the downstairs neighbor. A backpack strapped to his shoulders, he wore a jacket, jeans and a baseball cap. The sneakers said the twenty-something dead man was on his way. His eyes got further than he did. She wore sweats and slippers.

She sat in interview one, a cup of water left untouched in front of her. “Shadows change with the light.” She said.

My initial response of “cornflake” never made it out of my mouth. “Okay, Sally,” I said. “Let’s cut the crap.”

Her eyes locked on mine, a slightly superior look crossed the distance between us. Baffling at first, I lost ground to the knowing eyes and continued to meet her gaze out of curiosity.

“What are you?” She said.

“I’m the interviewer, you’re the interviewee.”

“What are you?”

Somewhat exasperated, I decided to simplify things for her. “I’m the only guy standing between you and a lethal injection for the cold-blooded murder of your boyfriend.”

“You’re Jewish,” she smiled with a little satisfaction, “aren’t you?”

“I’m Irish Catholic if you must know,” I said. “But, I’m also a Detective and as I’ve said, you’re a murderer. I’d be very interested to know why you killed . . ., what’s his name?”

“Kilbrand,” my partner said. Impatience also seemed to weigh on his words. “Jason Kilbrand.”

She looked disappointed. “I usually can tell.” Looking hard at my face, she sighed. “You must have some Jew in your history.”
“Why’d you kill Jason, Sally?”

She simply stared at me.

“Was he leaving you?” I needed to connect with her, get her to open her airhead and let out some facts. I controlled my tone, softened it just a bit, like I’d talk to my kid sister if I had one.

“He loved me.”

“Then why was he packed and leaving?”

“He didn’t know what I am.”

“What are you?”

She smiled wide showing perfect teeth. “No one knows, no one can see.”

“Look Sally.” I clenched my teeth. “What matters is that Jason’s dead and you’ve got to answer for his murder.”
“I really liked him.” She looked wistfully at her hands on the steel table, then up at me. “He just wouldn’t listen.”
“You killed him because he was leaving and wouldn’t listen to you?”

“Men rarely listen to women,” she said, a small smile forming. “The world would be a lot better off if they did.”
“You can’t change people from what they are to what you want them to be.” I felt the connection and I needed to expand on it. Lock this case up tight. “You were angry because of his cold nature.” I needed her to cop to it. “You couldn’t just let him leave after all you’ve had together . . .”

“No,” she said, shaking her head. “I couldn’t let him leave.”

“He wouldn’t listen and you just wanted to slow him down.”

She studied my face, hard.

“You didn’t mean to kill him; you just wanted him to stop, to stay . . .”

Somebody knocked on the observation window breaking my concentration. Still keeping her eyes on me she smiled then looked back at the table. More than a little pissed, I went to the door and exited with my frustration ready to vent.

Three suits stood outside interview one. One was Lieutenant Cooper and the other two were unknowns. Judging from the suits though, I made them as Feds. A cold dead feeling sunk to my stomach.

“Jake,” Cooper said in his usual “stop what you’re doing” voice. “These guys are from Homeland Security. It seems you’ve got an Israeli Diplomat in custody and you’re to release her immediately.”

My mouth hanging open must have been an eloquent enough answer. The two suits moved to the door without another word. One of them put a coat around Sally’s shoulders. She stood with all the authority extensive training imparted.

I turned to Cooper. “What was in the knapsack?”

“Death, Detective,” Sally said coming through the door flanked by the two suits.

I watched the trio move as one down the hall to the exit. “My maternal grandmother was Jewish,” I said to the back of her head.  She stopped and turned to look back with a sparkle in her eye. “We’re all a bit of everything, Detective.”

Then she was gone.

 

dano
dano

Dan O’Sullivan is a founding board member for a non-profit group known as Winston Salem Writers and he hosts their open mic. He also has several readings on You Tube. He’s had had poetry published on a website, in a coffee table anthology as well as with Poetry in Plain Sight. O’Sullivan has a writer’s credit on a documentary regarding Equality in Healthcare for a filmmaker known as FAME Productions. Currently, he’s editing a novel manuscript and shopping another to publishers.

 

 

 

 

 

wswriters_0DanO comes to CCD from Winston-Salem Writers. Find out about this vital local organization HERE.

 

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Arts

AFAS Center for the Arts opens in the Arts District

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AFAS Center for the Arts opens in the Arts District

The sleek new AFAS Center for the Arts, located at the corner of Liberty and Seventh streets, will officially open to the public on Saturday, May 6. The local nonprofit organization Art for Art’s Sake (AFAS) commissioned the 14,500 square foot, three-story building, which was constructed over a period of 15 months.

The Center’s official opening will be celebrated with a public ribbon-cutting ceremony at 2:00 p.m. on May 6, accompanied by live music, food trucks, ARTivity on the Green mural wall painting and family activities, from 11:00 a.m. until 6:00 p.m.

This latest addition to the city’s burgeoning Arts District consolidates several AFAS activities and locations that were previously scattered throughout downtown. The building houses AFAS’ headquarters, as well as Red Dog Gallery, Unleashed Arts Center and Studio 2, a jewelry studio. There are also 10 artist studios available for lease at affordable rates.

The Center’s location – adjacent to ARTivity on the Green art park – extends the Arts District’s footprint into a previously underdeveloped area of the city.

Harry Knabb, AFAS chairman and chief executive, said the new headquarters underscores AFAS’ continued commitment to the Arts District and the city’s arts community overall, while also ensuring the viability of AFAS for generations to come.

ARTivity on the Green and the AFAS Center for the Arts have both been made possible via generous grants – primarily one from the Thomas J. Regan Jr. Foundation – and both projects have enlisted the professional skills of several local businesses; STITCH Design Shop and Frank L. Blum Construction Co. served as the architect and general contractor for both projects, respectively.

Special translucent panels allow the new AFAS Center for the Arts building to literally glow from within at night.

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FYI: Bookmarks and Art for Art’s Sake Announce 6th Annual Student Art Contest

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FYI: Bookmarks and Art for Art’s Sake Announce 6th Annual Student Art Contest

Bookmarks and Art for Art’s Sake (AFAS) have announced their sixth annual student art contest. The winning artist will have his or her artwork printed on 5,000 bookmarks to be distributed throughout Winston-Salem and surrounding counties and will be honored on Saturday, August 5 from 6 to 8 p.m. at the new Red Dog Gallery located at 630 North Liberty Street in downtown Winston-Salem. The exhibition will run through September 30.

The contest is open to students in middle and high school who live in Forsyth County, North Carolina during the 2016–2017 school year. Only original visual artwork in color is accepted, including: print, drawing, collage, photo, or computer-generated artwork that relates to the theme of books, reading, and/or writing. Art must be flat and may not include three-dimension. All entries must use the template provided for submission, which can be found HERE. The bookmark will measure 3 X 9 inches.

The artist’s name must not appear on the artwork and only one entry per artist may be submitted.
Entries must include: the template with the artwork and a separate sheet that includes: name, mailing address, e-mail address, phone, school, grade, age, plus phone / e-mail for parent. Deadline is June 1, 2017. Submissions can be delivered to the Bookmarks’ Office inside the Milton Rhodes Center for the Arts or sent by mail: Bookmarks and AFAS Student Art Contest, 251 North Spruce Street, Winston-Salem, NC 27101. For more information or if you have any questions, email rachel [at] bookmarksnc.org or call 336-747-1471. The winners will be notified by July 12, 2017.

previous contest winners

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Winston-Salem Light Project explores “Reflections on Time”

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Public art installation by UNCSA lighting design students scheduled for April 4-8 at Merschel Plaza

“Reflections on Time,” the 2017 Winston-Salem Light Project (WSLP), is scheduled for 7:30 p.m. to 10 p.m. on Tuesday through Saturday, April 4-8 at Merschel Plaza, located at the intersection of Fourth and Trade Streets in downtown Winston-Salem. The annual outdoor lighting installation by students in the School of Design and Production (D&P) at the University of North Carolina School of the Arts (UNCSA) uses lighting and projection to visually transform architecture.

This year’s project is inspired by “Einstein’s Dreams,” a fictional collage of short stories by Alan Lightman exploring what might have been on Einstein’s mind in 1905 as he developed his theory of relativity.

“It’s an idea I’ve had in my back pocket for a while,” said Norman Coates, director of D&P’s lighting program. Coates founded WSLP in 2008 to expand the knowledge and experiences of his students using public art. Students apply concepts and techniques learned in the pursuit of theatrical design to architecture and public art.

Senior lighting design students each chose a chapter, or dream, they wanted to illustrate. Patrick Angle, of Columbus, Ind., chose a chapter about memory. “It’s the concept that things we take for granted as being permanent are not permanent,” he said.

Lorenzo Lagola of Calabasas, Calif., said his story explores the idea that there is no time – only images. “So many things happen that you don’t think about. In one moment someone dies but someone is born,” he said. “We are not defined by our construct of time.”

Coates said what began as a class project is now a year-long class. In the fall semester, students work with ideation and explore the concept. Spring semester is devoted to execution. In addition to their designs, each student is assigned a different role in the project, such as marketing, accounting, logistics or infrastructure.

“These are not something you ordinarily would learn in a lighting design program,” Coates said. “It gives the student experience they can take into their careers.”

During its nine-year history, WSLP has illuminated such downtown landmarks as UNCSA’s Stevens Center, the Millennium Center, and the First Baptist Church on Fifth Street. This year’s location offers spectators an expanse of lawn to relax and reflect. A soundtrack will accompany the display.

“We invite everyone to pause on their way to and from dinner, RiverRun screenings, or other events downtown,” Coates said. “Spend a half-hour or so and explore your own concept of time.”

In addition to Angle and Lagola, student designers include Abby May of Riverview, Fla.; Joseph Naftal of Great Neck, N.Y.; Connor Schwarz of Kernersville; and Matthew Tillet of Severn, Md.

WSLP is supported by a grant from the Arts Council of Winston-Salem & Forsyth County, lighting equipment from Susan and Gilbert Mathews of Lucifer Lighting, and projection equipment from Cirque du Soleil.

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