Connect with us

Arts

Review: Proof – The Delicate Line Between Genius and Instability

Published

on

By Stephanie Hess

Spirit Gum Theatre Company, a community theatre company founded and based in Winston-Salem, will be continuing its production of the Pulitzer Prize-winning drama Proof, by David Auburn, this Friday through Sunday at the Community Arts Café downtown.

The story centers on Catherine, a 25 year old genius who has spent her adult life caring for a father whose inspiring career as a mathematician was ended by delusion and madness.  She reaches a crisis point as she struggles with the possibility of inheriting her father’s mental illness, which she calls “instability,” along with his mathematical genius. She questions her perceptions and grip on reality – and at times the audience and the people closest to Catherine question her perceptions as well.  Catherine also searches for a way to share her father’s legacy with a graduate student who admired her father as a mentor in his more lucid days. Finally, Catherine must manage the presence of her sister Claire, who has traded the physical and emotional abandonment of her father and sister for a claim on the control of their real and intellectual property.

one sheet

Proof was originally produced off Broadway by The Manhattan Theatre Club in May of 2000, and ran for just over two years on Broadway at The Walter Kerr Theater with Mary-Louise Parker (UNCSA alum) in the lead role.  In the year 2001, Proof was awarded the Drama Desk Award for Best New Play, The Pulitzer Prize for Drama, and The Tony Award for Best Play.  It was the second full-length play by David Auburn, who was just 31 years old when it opened on Broadway.

The Spirit Gum Theatre Company is a community theatre company dedicated to producing high-quality theatre and inspiring local actors and artists. It began as three friends who wanted to collaborate together on stage, and they debuted their first show, A Coupla White Chicks Sitting Around Talking, this past August.  “Spirit Gum” is the adhesive used in theatre to attach costume prosthetics, like the mustache used in the theatre company’s logo.  Both the name and logo capture the playfulness and creativity of Spirit Gum Theatre Company’s founders. The director of Proof, Caitlin Stafford, is one of the founders of Spirit Gum.  She holds a BFA in acting from Virginia Commonwealth University and has been on the stage practically since infancy.  Stafford led the cast beautifully in creating a naturalness, fluidity and movement in a performance space not much larger than my living room, helping the audience feel drawn into the action in a way that was intimate but not intrusive.

Gregg Vogelsmeier, in the role of Claire’s father Robert, makes his debut with Spirit Gum Co., though he has a long history in community theatre throughout the Triad.  Vogelsmeier is a commanding presence on stage, and his portrayal of Robert’s moods as sometimes hopeful and other times phrenetic takes over the space in the same way that a person with disturbances in mood can drain the emotional energy of those around them.  Sarah Jenkins is a native of Winston-Salem who took on the role of Catherine’s sister Claire just a few weeks before production – and there is nothing about her performance that would give a hint that the role did not belong to her all along.  Jenkins’ performance as Claire reveals a vulnerability as well as a need for control – one senses that Claire believes the narrative that she has sacrificed for her family, but is simultaneously trying to shut out the voices that tell her she has not done enough.  Michael Ackerman – who plays Hal, a former student of Claire’s father – is another original founder of Spirit Gum Co.  Ackerman creates a character who the audience wants to believe in – but at some points we experience doubt.  We question his motives in Catherine’s life and with the mathematical goldmine he is given access to – and Ackerman artfully creates a depth of facial expressions as well as a sense of subtext with Hal that leads us to wonder if even Hal is always confident in his intentions.

Rene Lynn Walek, the third founder of Spirit Gum Co., was everything that I would expect from professional theatre – as Catherine she gave a well-balanced and natural performance of a complicated role. A potential pitfall to the role of Catherine is that she is young, genius, and also exhausted and jaded by her life experiences – the danger lies in playing the role in a way which is too precocious or too cynical.  Walek finds a balance that is supremely believable  – she puts across a sense of intelligence and experience that vindicates her as a potential mathematical revelation, and a rough edge that reveals what the last four years have taken from her.  At the same time, she lets a youthfulness show that makes her occasional moments of impulsiveness easy to believe.

Proof will be performed this weekend at The Community Arts Café – January 24 and 25 at 8:00pm and January 26 at 2:00pm.  Tickets are $10 at the door – it is best to come early to assure seating as the venue is quite small.

 

Read more about Spirit Gum Theatre Company HERE and follow them on Facebook HERE 

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Arts

AFAS Center for the Arts opens in the Arts District

Published

on

AFAS Center for the Arts opens in the Arts District

The sleek new AFAS Center for the Arts, located at the corner of Liberty and Seventh streets, will officially open to the public on Saturday, May 6. The local nonprofit organization Art for Art’s Sake (AFAS) commissioned the 14,500 square foot, three-story building, which was constructed over a period of 15 months.

The Center’s official opening will be celebrated with a public ribbon-cutting ceremony at 2:00 p.m. on May 6, accompanied by live music, food trucks, ARTivity on the Green mural wall painting and family activities, from 11:00 a.m. until 6:00 p.m.

This latest addition to the city’s burgeoning Arts District consolidates several AFAS activities and locations that were previously scattered throughout downtown. The building houses AFAS’ headquarters, as well as Red Dog Gallery, Unleashed Arts Center and Studio 2, a jewelry studio. There are also 10 artist studios available for lease at affordable rates.

The Center’s location – adjacent to ARTivity on the Green art park – extends the Arts District’s footprint into a previously underdeveloped area of the city.

Harry Knabb, AFAS chairman and chief executive, said the new headquarters underscores AFAS’ continued commitment to the Arts District and the city’s arts community overall, while also ensuring the viability of AFAS for generations to come.

ARTivity on the Green and the AFAS Center for the Arts have both been made possible via generous grants – primarily one from the Thomas J. Regan Jr. Foundation – and both projects have enlisted the professional skills of several local businesses; STITCH Design Shop and Frank L. Blum Construction Co. served as the architect and general contractor for both projects, respectively.

Special translucent panels allow the new AFAS Center for the Arts building to literally glow from within at night.

Continue Reading

Arts

FYI: Bookmarks and Art for Art’s Sake Announce 6th Annual Student Art Contest

Published

on

FYI: Bookmarks and Art for Art’s Sake Announce 6th Annual Student Art Contest

Bookmarks and Art for Art’s Sake (AFAS) have announced their sixth annual student art contest. The winning artist will have his or her artwork printed on 5,000 bookmarks to be distributed throughout Winston-Salem and surrounding counties and will be honored on Saturday, August 5 from 6 to 8 p.m. at the new Red Dog Gallery located at 630 North Liberty Street in downtown Winston-Salem. The exhibition will run through September 30.

The contest is open to students in middle and high school who live in Forsyth County, North Carolina during the 2016–2017 school year. Only original visual artwork in color is accepted, including: print, drawing, collage, photo, or computer-generated artwork that relates to the theme of books, reading, and/or writing. Art must be flat and may not include three-dimension. All entries must use the template provided for submission, which can be found HERE. The bookmark will measure 3 X 9 inches.

The artist’s name must not appear on the artwork and only one entry per artist may be submitted.
Entries must include: the template with the artwork and a separate sheet that includes: name, mailing address, e-mail address, phone, school, grade, age, plus phone / e-mail for parent. Deadline is June 1, 2017. Submissions can be delivered to the Bookmarks’ Office inside the Milton Rhodes Center for the Arts or sent by mail: Bookmarks and AFAS Student Art Contest, 251 North Spruce Street, Winston-Salem, NC 27101. For more information or if you have any questions, email rachel [at] bookmarksnc.org or call 336-747-1471. The winners will be notified by July 12, 2017.

previous contest winners

Continue Reading

Arts

Winston-Salem Light Project explores “Reflections on Time”

Published

on

Public art installation by UNCSA lighting design students scheduled for April 4-8 at Merschel Plaza

“Reflections on Time,” the 2017 Winston-Salem Light Project (WSLP), is scheduled for 7:30 p.m. to 10 p.m. on Tuesday through Saturday, April 4-8 at Merschel Plaza, located at the intersection of Fourth and Trade Streets in downtown Winston-Salem. The annual outdoor lighting installation by students in the School of Design and Production (D&P) at the University of North Carolina School of the Arts (UNCSA) uses lighting and projection to visually transform architecture.

This year’s project is inspired by “Einstein’s Dreams,” a fictional collage of short stories by Alan Lightman exploring what might have been on Einstein’s mind in 1905 as he developed his theory of relativity.

“It’s an idea I’ve had in my back pocket for a while,” said Norman Coates, director of D&P’s lighting program. Coates founded WSLP in 2008 to expand the knowledge and experiences of his students using public art. Students apply concepts and techniques learned in the pursuit of theatrical design to architecture and public art.

Senior lighting design students each chose a chapter, or dream, they wanted to illustrate. Patrick Angle, of Columbus, Ind., chose a chapter about memory. “It’s the concept that things we take for granted as being permanent are not permanent,” he said.

Lorenzo Lagola of Calabasas, Calif., said his story explores the idea that there is no time – only images. “So many things happen that you don’t think about. In one moment someone dies but someone is born,” he said. “We are not defined by our construct of time.”

Coates said what began as a class project is now a year-long class. In the fall semester, students work with ideation and explore the concept. Spring semester is devoted to execution. In addition to their designs, each student is assigned a different role in the project, such as marketing, accounting, logistics or infrastructure.

“These are not something you ordinarily would learn in a lighting design program,” Coates said. “It gives the student experience they can take into their careers.”

During its nine-year history, WSLP has illuminated such downtown landmarks as UNCSA’s Stevens Center, the Millennium Center, and the First Baptist Church on Fifth Street. This year’s location offers spectators an expanse of lawn to relax and reflect. A soundtrack will accompany the display.

“We invite everyone to pause on their way to and from dinner, RiverRun screenings, or other events downtown,” Coates said. “Spend a half-hour or so and explore your own concept of time.”

In addition to Angle and Lagola, student designers include Abby May of Riverview, Fla.; Joseph Naftal of Great Neck, N.Y.; Connor Schwarz of Kernersville; and Matthew Tillet of Severn, Md.

WSLP is supported by a grant from the Arts Council of Winston-Salem & Forsyth County, lighting equipment from Susan and Gilbert Mathews of Lucifer Lighting, and projection equipment from Cirque du Soleil.

Continue Reading

Trending

Copyright © 2025 Camel City Dispatch.