Connect with us

Arts

WrestleCade: Steeped in Tradition, While Creating Its Own

Published

on

Words & Photos By Michael A. Wiseman

 

wrestlecade2014
wrestlecade2014

Fewer things mean more to the South than sweet tea, Jesus, stock car races, and barbecue. Historically, that list included professional wrestling. And while the attraction of spandex-clad titans battling over pride, women, and golden title belts has fallen out of mainstream popularity in recent years, it remains more relevant than ever to fans who grew up with those traditions. They remember watching Dusty Rhodes’ “Workin’ Man” promo as it happened, or attending Jim Crockett NWA shows back in the day. They’re still fans of North Carolina original Ric Flair, whose stylin’ and profilin’, limousine-riding, baby kissing ways made his “Woooo!” chant bigger than the sport itself.

But perhaps more importantly is what the South, and it’s tradition-laden history, still means to professional wrestling.

“Some of the greatest wrestling moments were born in this soil.” That’s according to Matt Striker, a teacher turned-grappler turned-commentator, who earned his chops on WWE broadcasts as a true wrestling historian. Don’t know the difference in an armbar and a hammer lock? Striker does. And he describes being back in North Carolina for WrestleCade as “so humbling.”

WrestleCade is the brainchild of local entrepreneur/businessman/best-selling author/Emmy award winner/car dealer Tracy Myers. It was created as an homage to the annual Starrcade event – an event born just down the road in historic Greensboro Coliseum. The idea was that WrestleCade could bring back a Thanksgiving weekend tradition by offering up family-friendly wrestling for a great cause. The promoters go all-in, recruiting big names from today and yesterday, along with some independent talent to fill out the card. Proceeds from the event benefit Toys for Tots.

The full-day WrestleCade event includes two main attractions: the first, a FanFest where people can meet their favorite stars, get signed memorabilia, and take pictures, is the type of experience wrestling fanatics dream about. Living legends like Larry Zbyszko and Jim Duggan sit only tables away from modern superstars Carlito, Drew Galloway, and Matt Hardy. There’s a line to meet Kevin Nash, Scott Hall, and Sean Waltman, who helped define professional wrestling’s “Attitude Era” (a time which saw wrestling become more profitable and mainstream than at any other point in history). A ring set-up in back showcases regional independent talent, to both cheers and jeers.

Wrestlecade attendees Jeffery and Rachel just think “it’s cool to see everybody… Matt Hardy, Freight Train, Colt Cabana.” Rocksborough residents Jason and Wendy echo that sentiment. This is their second year coming, and they’re here for “the ECW guys.” They plan to come back next year and bring their two kids.

Some wrestlers are strictly here for the business (a few legends declined comment when they discovered I wasn’t a paying customer). Others, though, appreciate the fan interaction, and camaraderie of being with various talent.

Former WWE-er and podcast superstar Colt Cabana enjoys it because he gets to “see the smile on all the fans’ faces.” For a performer like Cabana, who talks to wrestling biz insiders on a continual basis, it’s also an opportunity for him to see all those guys in the same room. The same holds true for independent talent John Skylar, who describes WrestleCade as a “reunion.” Again, he says the whole event is “a fan’s dream.”

Wrestlecade1
wrestlecade2014

Then there are the bigger names. Matt Hardy and Drew Galloway, two tremendous stars who have spent plenty of time headlining pay-per-views and defending historic titles, find themselves at WrestleCade as the main attraction. Their respective tables cause more bottlenecking than any other as fans ask for autographs, snap pictures with the stars, and try to strike up conversation with these larger-than-life personalities.

Hardy, the reigning, defending WrestleCade champion, is a North Carolina native who appreciates the proximity. Living only an hour away, he likes the fact that he can get to the show quickly, then get back afterwards and sleep in his own bed. Hardy describes the growth of WrestleCade as “amazing,” and says he takes a lot of pride in being here. In person he’s unexpectedly reserved, eerily calm to be the man who helped mainstream daredevil matches like TLC. Hardy has been involved with WrestleCade each of the last three years. As champion, he’s in the unenviable position of being the “face” of the company.

Galloway, the challenger, has a much different outlook. After recently parting ways with WWE, he’s been traveling overseas, winning both the Evolve and ICW championship, and coming back to American soil for various one-off matches. His spirit seems renewed. Galloway spent much of the last seven years touring with the world’s biggest wrestling company, and now that he’s on his own, seems to be enjoying his spot.

“They’ve trusted me to be myself in and out of the country.” It’s the kind of response you’d expect from a man who was once dubbed Vince McMahon’s “chosen one.” But Galloway finds his star burning brighter than ever, and his in-demand status a result of hard work both in the states and over the pond. When I asked him about traveling internationally with two championship belts (gold-clad and weighing approximately 13 pounds apiece), he says, “that’s why I only have the one with me today.”

Despite being on opposite sides of the squared-circle, both Matt Hardy and Drew Galloway use the same word to describe WrestleCade Fanfest: “Amazing.” They liken it to WrestleMania Axxess, the week-long sprawling fan event that takes place before wrestling’s biggest show of the year. That’s high praise, indeed.

******

The second part of WrestleCade, and arguably the most important, is the actual wrestling card that takes place a few hours after FanFest. Sports entertainment aficionados are packed into Benton Convention Center, a hot crowd ready to see their favorite stars settle whatever indignities they have against one another. Rows of folding chairs outline a makeshift entrance ramp. There are also round tables that each sit seven, reserved for the highest-paying WrestleCade ticketholders.

wrestlecade2014
wrestlecade2014

The crowd is an eclectic mix of kids and adults, with representation from every economic class. Some fans wear camouflage, or Nascar gear, while others sport their favorite superstar apparel from yesteryear. Many fans show their support for the recently-deceased Ultimate Warrior, despite Warrior having nothing to do with tonight’s show. But that’s their connection to the product – either Warrior made them a fan of wrestling, or he made them a bigger fan. He’s still “their” guy.

I make my way to the back where I catch wrestling manager Jim Cornette selling some merch. Cornette was hands-down the nicest guy at Saturday’s FanFest event, offering to talk my ear off about how “most indie wrestling events don’t draw a quarter of this crowd” and how much he loved seeing it again. Now, in full-show mode, Cornette has something different in mind.

“Let me give you some advice…”

He cuts one helluva of a promo about something wildly inappropriate and practically nonsensical, but damn entertaining. His dynamic voice and engaging speech patterns are what made him such a wrestling fixture for years in NWA, WWF, WCW, TNA, and Ring of Honor, and they’re as sharp as ever here. I discover he’s just using me as a tune-up – only minutes into the show, Cornette is announced as the “WrestleCade Special Guest Commissioner,” and he cuts a promo about how important North Carolina is to the rich history of professional wrestling. Again, nobody says it better than Jim Cornette.

The WrestleCade card has it all – independent talent, battle royals, triple-threat matches, and tag-team contests. It’s the kitchen sink of wrestling. At one point, legend Scott Steiner grabs the mic and, says, “cut my f**** music off,” in true heel-like fashion. Unfortunately, it’s a family-friendly show. Awkward.

There are actually two main events for the evening. The first, a divas battle, sees two giants Awesone Kong and Lei’D Tapas battle for women’s supremacy. The second one finds Matt Hardy and Drew Galloway finally tearing down the house in a ‘last man standing’ match for the WrestleCade championship.

wrestlecade
wrestlecade2014

The high-drama of a ‘last man standing’ stipulation is that one wrestler has to knock his opponent down for a referee ten count. It’s a no-disqualification, anything goes, brawl with whatever you can find, contest. Hardy and Galloway tear into the crowd, battle backstage, and smash each other with beer bottles before finding their way back to the ring.

The crowd seems hot for Hardy at first – after all, he’s the hometown hero. Then, about halfway through, the “Drew” chants take over. It’s a weird dynamic seeing the crowd switch so easily. Then again, wrestling fans love to go against the grain.

******

Once the house lights go up, the beat crowd quickly retires. Some leave, some check out downtown Winston, while a few hang out at the Marriott hotel bar – because it’s where the wrestlers are staying. Fans simply want once last chance to be with their heroes.

The scene evolves throughout the night as more wrestlers show up and the non-diehards leave. It’s everything you’d expect: a mix of ego, alcohol, fandom, and weirdly-casual encounters. In the span of 25 minutes I see an ex-WCWer do an Irish Car Bomb, a few people charge drinks to rooms that may or may not be theirs, a legend talk about his glory days with a fan, and groups of wrestlers chit-chatting about television shows.

It’s fairly obvious who the big names are… they have groupies. Some independent wrestlers flock to the guys they think will improve their street cred. Others, including TV stars, are super cool, nice enough to carry on conversations with fans and not worry what their locker-room buddies think. A few guys let their muscles go to their heads. I get mean-mugged by a former midcarder over a poorly-executed joke. I also quickly learn that when you introduce yourself to a performer, rarely do they reciprocate; they assume that, if you’re there, you must already know who they are.

wrestlecade2014
wrestlecade2014

Eventually, I’m sharing drinks with an independent tag-team known as the Young Lions. They’d driven all night to make it to the show, and had performed at WrestleCade FanFest earlier in the day. As we’re talking, they’re signing contracts, discussing how long they’ve been in the business (one of them two years, the other one five), and asking me about Winston-Salem. They’re both in their early twenties and seem to be loving the ride – no mention of big leagues or major deals, just them doing what they love, and trying to get better at it every week.

As a fan, it’s the highlight of my night.

******

While many might know Tracy for his loud Frank Myers Auto Maxx commercials (you know, the “We’re Dealin’!”/”Everybody Rides!” tagline and bombastic stars-and-stripes tophat), wrestling promoter is a role Myers dons just as easily. He’s top-notched dressed and always professional. When I ask him about WrestleCade’s impact, he tells me that people flew in from the Netherlands, discusses the economic impact, and concludes that it means “as much to the city of Winston-Salem” as himself personally.

It’s because Myers sees the greater good… not just in the six-thousand dollars WrestleCade gives Toys for Tots, or the spotlight it provides for wrestling talent, but for the heritage it brings back to our city. And with Winston-Salem finding itself in a cultural renaissance, it’s exciting wrestling can be a part of that scene again.

Or, to quote Colt Cabana, “I’ve done a lot of these that go terrible… Kudos to WrestleCade for doing it right.”

wrestlecade2014
wrestlecade2014

 

wrestlecade2014
wrestlecade2014

 

wrestlecade2014
wrestlecade2014

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Arts

AFAS Center for the Arts opens in the Arts District

Published

on

AFAS Center for the Arts opens in the Arts District

The sleek new AFAS Center for the Arts, located at the corner of Liberty and Seventh streets, will officially open to the public on Saturday, May 6. The local nonprofit organization Art for Art’s Sake (AFAS) commissioned the 14,500 square foot, three-story building, which was constructed over a period of 15 months.

The Center’s official opening will be celebrated with a public ribbon-cutting ceremony at 2:00 p.m. on May 6, accompanied by live music, food trucks, ARTivity on the Green mural wall painting and family activities, from 11:00 a.m. until 6:00 p.m.

This latest addition to the city’s burgeoning Arts District consolidates several AFAS activities and locations that were previously scattered throughout downtown. The building houses AFAS’ headquarters, as well as Red Dog Gallery, Unleashed Arts Center and Studio 2, a jewelry studio. There are also 10 artist studios available for lease at affordable rates.

The Center’s location – adjacent to ARTivity on the Green art park – extends the Arts District’s footprint into a previously underdeveloped area of the city.

Harry Knabb, AFAS chairman and chief executive, said the new headquarters underscores AFAS’ continued commitment to the Arts District and the city’s arts community overall, while also ensuring the viability of AFAS for generations to come.

ARTivity on the Green and the AFAS Center for the Arts have both been made possible via generous grants – primarily one from the Thomas J. Regan Jr. Foundation – and both projects have enlisted the professional skills of several local businesses; STITCH Design Shop and Frank L. Blum Construction Co. served as the architect and general contractor for both projects, respectively.

Special translucent panels allow the new AFAS Center for the Arts building to literally glow from within at night.

Continue Reading

Arts

Winston-Salem Light Project explores “Reflections on Time”

Published

on

Public art installation by UNCSA lighting design students scheduled for April 4-8 at Merschel Plaza

“Reflections on Time,” the 2017 Winston-Salem Light Project (WSLP), is scheduled for 7:30 p.m. to 10 p.m. on Tuesday through Saturday, April 4-8 at Merschel Plaza, located at the intersection of Fourth and Trade Streets in downtown Winston-Salem. The annual outdoor lighting installation by students in the School of Design and Production (D&P) at the University of North Carolina School of the Arts (UNCSA) uses lighting and projection to visually transform architecture.

This year’s project is inspired by “Einstein’s Dreams,” a fictional collage of short stories by Alan Lightman exploring what might have been on Einstein’s mind in 1905 as he developed his theory of relativity.

“It’s an idea I’ve had in my back pocket for a while,” said Norman Coates, director of D&P’s lighting program. Coates founded WSLP in 2008 to expand the knowledge and experiences of his students using public art. Students apply concepts and techniques learned in the pursuit of theatrical design to architecture and public art.

Senior lighting design students each chose a chapter, or dream, they wanted to illustrate. Patrick Angle, of Columbus, Ind., chose a chapter about memory. “It’s the concept that things we take for granted as being permanent are not permanent,” he said.

Lorenzo Lagola of Calabasas, Calif., said his story explores the idea that there is no time – only images. “So many things happen that you don’t think about. In one moment someone dies but someone is born,” he said. “We are not defined by our construct of time.”

Coates said what began as a class project is now a year-long class. In the fall semester, students work with ideation and explore the concept. Spring semester is devoted to execution. In addition to their designs, each student is assigned a different role in the project, such as marketing, accounting, logistics or infrastructure.

“These are not something you ordinarily would learn in a lighting design program,” Coates said. “It gives the student experience they can take into their careers.”

During its nine-year history, WSLP has illuminated such downtown landmarks as UNCSA’s Stevens Center, the Millennium Center, and the First Baptist Church on Fifth Street. This year’s location offers spectators an expanse of lawn to relax and reflect. A soundtrack will accompany the display.

“We invite everyone to pause on their way to and from dinner, RiverRun screenings, or other events downtown,” Coates said. “Spend a half-hour or so and explore your own concept of time.”

In addition to Angle and Lagola, student designers include Abby May of Riverview, Fla.; Joseph Naftal of Great Neck, N.Y.; Connor Schwarz of Kernersville; and Matthew Tillet of Severn, Md.

WSLP is supported by a grant from the Arts Council of Winston-Salem & Forsyth County, lighting equipment from Susan and Gilbert Mathews of Lucifer Lighting, and projection equipment from Cirque du Soleil.

Continue Reading

Arts

FYI: Bookmarks and Art for Art’s Sake Announce 6th Annual Student Art Contest

Published

on

FYI: Bookmarks and Art for Art’s Sake Announce 6th Annual Student Art Contest

Bookmarks and Art for Art’s Sake (AFAS) have announced their sixth annual student art contest. The winning artist will have his or her artwork printed on 5,000 bookmarks to be distributed throughout Winston-Salem and surrounding counties and will be honored on Saturday, August 5 from 6 to 8 p.m. at the new Red Dog Gallery located at 630 North Liberty Street in downtown Winston-Salem. The exhibition will run through September 30.

The contest is open to students in middle and high school who live in Forsyth County, North Carolina during the 2016–2017 school year. Only original visual artwork in color is accepted, including: print, drawing, collage, photo, or computer-generated artwork that relates to the theme of books, reading, and/or writing. Art must be flat and may not include three-dimension. All entries must use the template provided for submission, which can be found HERE. The bookmark will measure 3 X 9 inches.

The artist’s name must not appear on the artwork and only one entry per artist may be submitted.
Entries must include: the template with the artwork and a separate sheet that includes: name, mailing address, e-mail address, phone, school, grade, age, plus phone / e-mail for parent. Deadline is June 1, 2017. Submissions can be delivered to the Bookmarks’ Office inside the Milton Rhodes Center for the Arts or sent by mail: Bookmarks and AFAS Student Art Contest, 251 North Spruce Street, Winston-Salem, NC 27101. For more information or if you have any questions, email rachel [at] bookmarksnc.org or call 336-747-1471. The winners will be notified by July 12, 2017.

previous contest winners

Continue Reading

Trending

Copyright © 2025 Camel City Dispatch.